.
| [An abridgment of the
introduction by Chamberlain to Chodorov's One Is A Crowd,
published in 1952. Reprinted from Fragments,
October-December 1966] |
Along about 1935, America was blanketed by a literature of
crypto-collectivism. Lenin said it long ago: to make collectivism stick
in a land that has known the blessings of individualism you must catch a
whole generation in the cradle and forcibly deprive it of tutors who
have learned The bourgeois alphabet at their mothers' knees. In a land
of republican law this is impossible; no matter how clever or
omnipresent the collectivist propaganda may be, a few culture-carriers
of the old tradition will escape.
A recent preoccupation with my own intellectual autobiography has led
me to reflect on the culture-carriers who brought me back to what I had
originally soaked up unconsciously in the individualistic New England of
my childhood. Those carriers are Albert Jay Nock, Franz Oppenheimer,
Garet Garrett, Henry George, Henry David Thoreau, Isabel Paterson, and,
finally, a man who sometimes speaks in parables and who always has a
special brand of quiet humor, Frank Chodorov. He also has the
intellectual resilience that one would associate with perennial youth.
A craftsman from the ground up, Frank Chodorov has always made his own
words pirouette with the grace and fluidity of a Paviova. Beyond this,
he is one of the few editors alive who can make individual stylists of
others merely by suggesting a shift rn emphasis here, an excision there,
a bit of structural alteration in the middle. But this is only the least
important part of the education that one can absorb from him when he is
expanding his own ruefully humorous way.
Listening to Chodorov, you won't get any meaningless gabble about "right,"
"left," "progressive," "reactionary," or "liberal."
He deals in far more fundamental distinctions. There is, for example,
the Chodorovian distinction between social power and political power.
Social power develops from the creation of wealth by individuals working
alone or in voluntary concert. Political power, on the other hand, grows
by the forcible appropriation of the individual's social power. Chodorov
sees history as an eternal struggle between social-power and
political-power philosophies. When social power is in the ascendant, men
are inclined to be inventive, creative, resourceful, curious, tolerant,
loving, and good-humored. But when political power is waxing, men begin
to burn books, to suppress thought, and to imprison and kill their
dissident brothers. Taxation, which is the important barometer of the
political power, robs the individual of the fruits of his energy, and
the standard of life declines as men secretly rebel against extending
themselves in labor that brings them diminishing returns.
According to the Chodorov rationale, all the great political movements
of modern times are slave philosophies. They are all alike in advocating
the forcible seizure of bigger and bigger proportions of the
individual's energy. It matters not a whit whether the coercion is done
by club or the tax agent the coercion of labor is there; and such
coercion is a definition of slavery. Nor does it matter that the energy
product of one individual is spent by the government on another; such
spending makes beneficiaries into wards, and wards are slaves, too.
Chodorov is a mystic, but only in the sense that all men of insight are
mystics. His mystical assumption is that men are born as individuals
possessing inalienable rights. This philosophy of Natural Rights under
the Natural Law of the Universe cannot be "proved." But
neither can the opposite philosophy -- that the State has rights -- be
proved, either. If there is no such thing as natural individual rights,
with a correlative superstructure of justice organized to maintain these
rights, then the individual has no valid subjective reason for obeying
State power. True, the State can arrest the individual and compel his
loyalty, but the rebellious individual can always find ways of flouting
State power.
Since the human animal must make either one mystical assumption or
another about rights, Chodorov chooses the assumption that accords with
the desire of his nature, which is to protect itself against the
lawlessness of arbitrary power. He is mystical in the same way that
James Madison and Thomas Jefferson were mystical; and he is religious
enough to believe in Nature's God, which is to say that he believes in
Natural Law.
The utilitarian argument is that Natural Law does not apply in the
field of ethics, since it is not demonstrable that a thief or a murderer
will always be caught and punished. But if there is no Natural Law of
Ethics, then any system of ethics is as valid as the next - and the
choice of fascism or communism or cannibalism is no "worse"
than the choice of freedom as defined by John Locke. Chodorov's answer
to the utilitarians is that men are diminished and blighted under
certain ethical systems, whereas they flourish under other systems. And
it is demonstrably the nature of man to prefer life to death, or to the
slow agony of death-in-life that goes with slave systems.
Chodorov never labors his principles in either his writing or his
speaking. Nor does he indulge in debater's tricks. He prefers a good
parable to formal argument, and he is at his best when he is raiding the
Old Testament to make a modern point.
Like all good teachers, Chodorov knows that instruction is always
improved when it comes in the form of entertainment. What he offers in
his essays as entertainment is, of course, worth ten of the ordinary
political science courses that one gets in our modern schools. It is a
measure of our educational delinquency that nobody has ever seen fit to
endow Chodorov with a university chair. But his successors will have
chairs once Chodorov has completed his mission in life, which is to
swing the newest generations into line against the idiocies of a
collectivist epoch that is now coming to an end in foolish disaster and
blood.
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